Nielsen: Multicultural consumers respond more to music marketing
Music is the food of ethnic marketing. A new study from Nielsen says multicultural consumers — the one-third of the U.S. population who identify as African-American, Asian American or Hispanic — respond more positively to music in brand marketing than does the population at large. They are also more likely to be technology early adopters, to use mobile devices and streaming services, and to buy digital albums and songs. And per Nielsen, they are more likely to react positively when brands engage them with music-oriented promotions.
Nielsen’s report, “Listen Up: Music and The Multicultural Consumer,” notes that the multicultural population, about 37% of the population and growing, is 17% Hispanic, 14% African-American and 5% Asian American. The media measurement company, citing Census stats, says that in just four years under-18 multicultural Americans will outnumber under-18 whites. Right now, 46% of the population of Americans between 2 and 17 years of age are multicultural and half of all multicultural Americans are under 35, per the firm.
They are more likely than others to pay for streaming services via Pandora One, Spotify Premium, Google Play Music, RDIO and Grooveshark. Pandora has the lion’s share with 36% of multicultural consumers favoring the streaming channel, versus 34% for YouTube and 13% for iHeartRadio.
On average, per Nielsen Music 360, multicultural Americans spend $7 more on music than the total population — $111 per year versus $104, or 31% of the total spent on music. And they over-index for using YouTube as a digital-music discovery channel, 36% versus 28% for non-Hispanic whites. Their top source of music during a given week are Internet streaming radio services, favored by 50% of multiculturals, versus 44% of non-Hispanic whites.
And they are more musically active on social: 48% “like” Facebook posts from music artists; 43% share music through social channels; 37% comment on Facebook posts; 37% have shared a playlist; 31% repost from musical artists; 26% retweet band tweets; and 16% use “Scrobbling” to track songs.
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